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Bedroom Producer
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★ ABLETON LIVE 12
★ WARP MARKERS
★ MAX FOR LIVE
★ SESSION VIEW
★ SIDECHAIN
★ PUSH 3
★ MIDI TRANSFORMS
★ MELD
★ ROAR
★ DRUM RACK
★ ABLETON LINK
★ CV TOOLS
★ ABLETON LIVE 12
★ WARP MARKERS
★ MAX FOR LIVE
★ SESSION VIEW
★ SIDECHAIN
★ PUSH 3
★ MIDI TRANSFORMS
★ MELD
★ ROAR
★ DRUM RACK
★ ABLETON LINK
★ CV TOOLS
// PRACTICE
EAR TRAINING
Real producer ears come from drills, not lectures. Pick one and run 10.
🎼
Interval ID
Hear two notes — name the gap.
Intervals are the bones of every melody, bassline and chord.
Not played yet
🎹
Chord Quality
Major, minor, dim, dom7…
The 'mood' of a track is 90% chord quality. Maj vs min vs dom changes everything.
Not played yet
📉
EQ Cut
Which band did we notch?
Mixing = surgery. You can only cut what you can hear.
Not played yet
🤜
Compression
Spot the squashed clip.
Heavy comp ≠ louder. It changes feel — punch, glue, sustain.
Not played yet
🌫️
Reverb Time
Short, medium, or long tail?
Tail length defines space — bedroom, club, cathedral.
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↔️
Panning
Hard left, slight right, dead center?
Width is half of a great mix. Most amateurs collapse everything to mono.
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⏱️
Tempo
BPM by ear — within 5.
Producers feel tempo. It's how you sync transitions, FX, edits without looking.
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🏁
A/B Faster?
Two loops — which one is faster?
Tempo perception is the most foundational rhythmic skill — faster vs slower, before you know the exact BPM.
Not played yet
📊
Dynamic Range
Which version is more compressed?
Spotting compression by ear prevents over-processing — the #1 amateur mistake.
Not played yet
↔️
Stereo Width
Mono, narrow, wide — hear the difference.
Width is half of a great mix. Mono-compatible mixing requires you to hear width critically.
Not played yet
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